There is a third sort of hedge that classic prose omits, which we will call hedges of worth. The classic writer spends no time justifying her project. The classic writer does not compare its worth to the worth of other projects. A classic writer will write about milk, for example, with no indication that there can be a question about the worth of writing about milk, no indication that the reader could entertain any doubt about the worth of writing about milk.
From Clear and Simple as the Truth by Francis-Noel Thomas and Mark Turner.